In the concluding chapter of Why We Make Art and Why it is Taught, Richard Hickman believes that a best practice art room model should be...

Love the flat planes and simplicity of Toba Kedoori’s work. Untitled (branches 1) in particular. Both images adhere to an accepted...

Summer solstice , the 23d of June ; we had doubled the Cape of Good Hope We could neither give , nor receive , the consolations of...

How to produce an event with an audience when galleries and places to visit have closed? I decided to record nature taking its own...

Statement of Intent. More like Bullet points of practice informed by theory. Where do I fit, in relation to arguments surrounding my Fine...

A Virtual exhibition. The following are film stills from an experiment in how to exhibit my work. Initial plans had been to produce large...

The outcome of a shared opportunity has led to The Walcot Collective, a disparate group of pioneers in Fine Art Collaboration. It was...

Instructions for my behaviour. Stand at a desk of typical height. In front of you is a large stack of paper. This pile of paper is a...

Hito Steyerl suggests in her essay Politics of Post Representation that we give up all privacy of information, visuals or text when we...

The week-long process of collaboration to create an interactive installation outside the Action Factory was a fast and exciting...

Greater Public engagement was created with the delivery of research in our original and unexpected format. Museum and Gallery experiences...